| The
personal
site of Paul Arenson |
|
APPEARING
ON
OTHER
SITES
A
great
deal of overlap on the sites, but there are differences.
(Paul Arenson on MacJams (go to the website) (with lyrics, recorded 1980s-2008) ![]() Or all songs individually:
Paul Arenson on Folk Alley (go to the website) (with lyrics, recorded 1980s-2008) ![]() Or all songs individually:
2008 | ZNet: ![]() Or all songs/items individually: ARTICLE Teaching for Critical Media Literacy AUDIO The Revision (Japan civil disobedience) Ballad of Chong
Gyan-Yong (another resistance song) Amazing Grace (in praise of disobedience) The Night is Young (long song) Each Day is Different (a "pre-love" song) Many Times I have
Loved (love song) Go Down You Broken Old Man (a song about vision) Tofu Spaghetti (about being non conventional) There's a lesson to be learned in the trees (about renewal and resistance) Three Months Ago (when love ends abruptly) Gracias a la Vida (from a Japanese concert circa 1980) Izzy Young program
from Sweden (recorded by Chuck Rosina cira 1973) Strikers Line (a Celtic-inspired protest song) Bar at Midnight (where politics and lonliness converge) The Good Ship England (allegory about the cost of imperialism to the imperialist) Tired Old Trawler (prisoners of the seas we sail) Pressures of the
World (nonsense song) Highway Song (about highways poking through the wilderness) Rippling Sea (poem of a japanese friend put to music) I Would Like to Sit
Down by You (hope that love will blossom) Spider Song (when love does not blossom but friendship remains) 2007 | CD (on CD Baby): ![]() ![]() Most of the songs come form one or more of theabove sites. For purchase on CD Baby or free with a donation to TokyoProgressive. 2006 | Soundclick: ![]() Rippling Sea, Each Day is Different, The Highway Song, I'd Like to Sit Downby You, Bar at Midnight, There's a Lesson to be Learned in the Trees, Go Down You Broken Old Man, Pressures of the World, The Revision, The Night is Young (all with lyrics) |
MUSIC
RECORDINGS FROM NOW BACK TO THE 60s Things lying
around the house in boxes of cassettes, a number of which
probaby are worth keeping.
![]() ![]() 1998 | I Would Like to Sit Down By You (collection mostly from the 80s and 90s) LYRICS FOR THIS PART: here (sound files broken) AUDIO: Part 1: I Would Like To Sit Down by you, Spider Song, It is Enough (opera), Tofu Spaghetti, Oyogi Taiyaki-kun, Rippling Sea, Each Day is Different, The Night is Young, Three Months Ago. Part 2: We Two Are in Love, Song for Ninoy. BONUS- Animated cartoon idea: Stripey Meets Godzilla and The Barber's Cadillac Seville Parody from the late 1970s. Mid '80s | In the Bar at Midnight (collection) Part 1: In the Bar at Midnight, My Lady's a Wild Flying Dove, Nakeba ii, Dogs at Midnight, Suzanne, Une Calme Nuit, Two Swedish Songs, Guantanamera Part 2: Or here. There's a Lesson to be learned in the Trees, Shinda Otoko Wa Nokoshita Mono Wa, Pressures of the World, Close Your Eyes, Castles in the Air, Chiisana Nikki, Oh My Friend, Drunken Sailor. Oh My Friend only. Early '80s | John, Paul and Daphne (historical interest) Rippling Sea, Lai Lai Lai Early '80s | School concert (historical interest/home recording) 1966-1981 | Huge Anthology from 1966-1981: Lots of stuff here, mostly in rough, unpolished sersions. My favorites are listed in the sections, divided into periods. None of these were intended for broadcast, but they are the only records of my older songs, which date from late elementary school. The war in Vietnam was in full bloom. Many of these are various out takes, with starts and stops, also sound drop outs due to damage to the tape, or--in the case of one song (Portraits of Love, Py5)--deliberate playing around with the left-right balance for some silly reason. Pt1: 1966-1968 I'm a Reform Democrat (high school days, shades of Love Me, I'm a Liberal) The World's Coming to an End The Rains Elvira Madigan A Lost Dream Snow-inspired by a similar Pete Seeger song, not so bad for a 15 year old Who Killed the Tiny Babe-inspred by Who Killed Norma Jean (Rosten/Seeger) In the Shadows of a Shade Tree Oh Little Bird Pt2 : A Fate Born With America, (one of the better ones from this period) Cool Mountain Waters Pt3: The Wind Floats on and on (an attempt at humor!) The Farce (based on Och's The Crucifixion, see also The Revision) Hell No, I Won"t Go to Vietnam To Prison We Must Go The Bullet of LBJ (On the Death of Martin Luther King) Government Men Brown Shirts I Plucked a Dandelion The Children We Are Your Mentors There's a Fire in the Sky Pt4: 1968-1969 I'll love you in the morning (I didn't know the song I thought was an imitation of Suzanne--That's No Way to Say Goodbye--was written by the same person, Leonard Cohen, so this is my imitation of the imitation. Lost Against Fear We Sit in the Moonlight Pt5: 1970-'71 Portrait of Love (a nice love song with an ocean theme) Mr. and Mrs. America (an anti-war song) The Greenest Trees (an allegory, based on a traditional song-Railroad Boy?) Pressures of the World A River Runaway (interesting still in some ways) Pt6: We Walk On and On (unfinished song) Green Pauline's song Loving you (another song that had possibilities) For the Berrigan Brothers Yonder on a Heathered Hillside Pt7: Love Comes Tumbling (I like this one) Many Times I Have Loved Come Young Pretty Woman (anti-war) Smokle (anti-drug from a left-wing perspective?) Pt8: Ballad of Daniel and Lisa (a friend used this to try to get draft exemption status as a conscientious objector) The Eulogy (semi-comic) Keep All the People in Line (unfinished song) Don't Let Them Put The Label on You (about agent provacateurs, after having unearthed one in our university peace group) Friendship Early Morning Bleeker Street Song One Day (tape ends unexpectedly) |
OTHER
AUDIO AND VIDEO From a 2002 radio
show as well as some experimental stuff
VIDEO: Paul Arenson and Scott Seeley introduce folk and folk blues (1980s) There is a segment at the end of the video that was inadvertantly left in during editing, Paul on a local Japanese singing contest around 1982. Music Videos Paul Arenson opening for David Rovics 2008 David Rovics in Japan 2008 Or here. HIBAKUSHA RADIO ENGLISH: 2002-3 | Chofu FM "One Point Eikaiwa This was a public service language program on which I appeared and for which I created the lessons. A few appearances by Stripey. (Chibi's story with pictures) NOTE: The file
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ceasefire
twenty gum chewing heros stood grouped in a circle
and pointing the bulging eyes of their cameras
toward the mass of death before them
hurriedly cocked the shutters
as if to catch a lingering last breath
before death closed in to silence the struggle in the eyes
and spoil the shots for the folks back home
--written at the close of the Vietnam war
the living end
baby boy child just hit baby girl child
but mama will not intervene
mama is too busy making mellow dreams frim corncob
and papa will not heal the hurt
for papa does not know he's papa
where he's parked in one dark corner
taking in a drop of sunshine
perhaps george washinton
upside down on a dayglo wall
will speak the words to soothe the wounds
and lead the children from their pain
to some safer, softer game
--1967
leaving
with our throats made sore
by tears pushed back
our sadness shining in the wetness of our eyes
we stand
and sense the coming of the going
and the end of a rainbow
here where we hold a moment heavy in our breasts
we hope against all odds the train will not leave
it leaves
washed down the tracks by our tears
its groaning coaches downing our weeping
and in the mirror of our parting
we say goodbye to yesterday's stranger
and catch a glimpse of something
stronger
sweeter
greater
than the whiskies that we'll drink to forget
forget that in one aging moment we could cry
and that in that moment we could feel
and that in that moment
we were alive
--Norway, 1975
poem written on a train between geneve and lucerne
as frieght trains in the night go by
so our lives like chains
grow long
and not so simple as we'd like
them to
the last car rememering not the first
nor caboose brakeman, engineer
but as the names of passing makes of
dogfood, cars and napalm bombs
pass like camera shutter clicks
before our child eyes
so we live and then forget
the moments fleeing by
we stand at dawn
like children for the whistle listening
left then breathless by the mass of rolling boxcars
we soon loose count
and left there stunned
we watch the last one passing
--1974
Paul's peoms continued
who?
who-
in this hide yourself
be silent sea of blank stare faces
captives of the 9 to 5
and 6 days sold to 6 nights' numbing-
will be the one?
will it be you?
.....then who?
who-
who has ever wearied of feelings leashed to inlaid smiles
that even wives and hsubands in love's heat half mustered
can't remove-
will be the first to laugh off cue
and let the game come second for a change?
who-
in this sea unrippled
will dare be first-
i ask because
i know it cannot yet be me
--1981
winterbound
let love linger while it may
then die so gently
like a great grey seagul
here today and later gone
to where its wingdreams are reborn
love seldom sings forever
but only now and then
and sometime ages pass
before its whirling winds return
to catch us in their dizzy grasp
like leaves that linger through the night
of autums come
and summers going father south
so our souls are winter bound
to sleep apart and then perhaps
unite again one day
lifeturning
like sunlight surely
is a certainty that mends our wounds
and drains the old blood from our dreams
to our our new ones better wings
--1974
o say can you see?
not even the swiftly sinking
stinking filing order
of uncle sam stuff
dreams are made of
corporate men
nor corpse machines
can transplant this exiled tree
into the red, white and blue arm
of sanity
--1974
two poems written on a mountain
night falls
and caterpillar rain
sings in the darkness
above me
beneath me the ground swells up in sweet fatique
and sighs
a song drifts off asleep and dies
the branches now must bear the weight of birddreams
the sun is shy
at first
faint in the sky
then louder it lights uo the meadows of flowers
where butterflies fly
and get drunk
--1974, Harriman State Park, New York
hidden wires
when i was born a girl
i looked into my father's eyes
and saw what i thought were tears of joy
but now i know
there was also a hint of disappointment in them too
still, i thought life was great
and at first i did not understand
why they gave me so much freedom
or why my brothers had to study hard,
their spirits tamed and moulded
into lonely bonsais of success
but it was soon i saw the hidden wires
that shaped my own destiny
dragging me along the road
from dolla house dreams to name brand schools
where girls becoming women learn
the princess poses that they'll need
to lure a seed to womb
in childhood i was free, unlike my brothers
but now, there i was in offices
pouring tea for men whose suits
were the leaves of the lonely bonsais
that my brothers too had become
like the dreams of our husbands
now chained to desks and whiskey nights
the dreams we had were not our own
and our real life dollhouses are now
so cold, so empty
--1997